Last month, West Springfield once again hosted the Eastern States Exposition (or “The Big E”), which brings together fair activities from six states: Maine, New Hampshire, Vermont, Massachusetts, Connecticut, and Rhode Island. It’s great fun to attend, and includes displays of the finest crafts to have competed in county and state fairs from all over the northeastern U.S. in the past year. This means, for instance, that there are a bunch of great quilts.

Symmetry naturally plays a large part in the design of these quilts. The interplay between large-scale and small-scale, and between shapes and colors, creates aesthetic interest. This quilt, for instance, presents squares laid out in a basic tiling pattern (a square lattice). Each square contains a star-shaped figure. The star itself has fourfold dihedral symmetry, which matches the symmetry of the lattice, but the choice of colors in the stars breaks the symmetry of the reflections, resulting in cyclic (i.e., pure rotational) symmetry.

This quilt also shows fourfold dihedral symmetry in the shapes, which is broken into cyclic symmetry by the colors. It hints at eightfold (octahedral) symmetry in some places, but this is broken into fourfold symmetry by the colors and by the relationship of these shapes to the surrounding stars. This pattern shows fourfold cyclic symmetry at the corners, but that’s not what first caught my eye. The basic tile is a rectangle, which has the symmetry of the Klein four-group (no, not*that*Klein Four Group). For the two quilts above, I first noticed the large-scale symmetry that was broken at the small scale; here I first saw the limited small-scale symmetry that is arranged in such a way as to produce large-scale symmetry. (I think this is because I tend to notice shapes before colors.) This quilt uses the square lattice on the large scale, but varies the type of small-scale symmetry. Each square contains the same shapes, but they are colored differently so that sometimes the symmetry is dihedral, sometimes cyclic. This next quilt is geometrically clever in many ways. It has no reflection symmetries, even disregarding the colors, although the basic shapes that comprise it (squares and a shape with four curved edges, two concave and two convex, for which I have no name

**In an amusing exchange on Twitter, I learned that this shape is described among quilters as an “apple core”) do have reflection symmetries. (I am disregarding the straight lines that cut the**

*Edit 10/15*:Here is a quilt that stands out. It appears to simply be pixellated:

but if you look closely, you’ll see that the “pixels” are not squares, but miniature trapezoids. It therefore has*no*points that display fourfold symmetry. All rotational symmetries are of order two.

All of the types of symmetries of the above quilts (except, perhaps, the one that used some tiles with dihedral symmetry, some with merely cyclic) can be described using wallpaper groups, which I leave as an exercise for the reader.

This next design seems more topological than geometric: it is full of knots and links.

This quilt has an underlying square lattice pattern, but the use of circles again evokes links, at least for me.It was a surprise to come across a quilt with fivefold symmetry, but it makes perfect sense for a tablecloth.

Finally, this quilt was just gorgeous. The underlying pattern is simple—again a square lattice—but the diagonal translations are highlighted by the arrangement of the butterflies.

As you can see, it was decorated as “Best of Show”. We were particularly happy to see it receive this prize, because we had previously seen it in Northampton’s own 3 County Fair!